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Rendering Bit Rate Comparison On YouTube (Sony Vegas Pro

XAVC - Wikipedi

XAVC INTRA. XAVC-I DCI4K 23.98p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264; XAVC-I DCI4K 24p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.26 Banding is STILL an issue with XAVC-I (Sony FS7 10 bit footage) Just like it says. Premiere is NOT handing the codec properly. I have the max bitrate box ticked. But this isn't an 8bit vs 10 bit problem. 8 bit footage bands just as 8 but footage should. 10 bit footage is better as expected but STILL has banding Sometimes you don't want the ridiculous data rates of stuff like DNxHR HQX but you still need 10bit at a decent robust bitrate, and this accomplishes that. This tutorial describes how to create Psuedo XAVC-I intermediate MXFs (or a video MP4 and an audio WAV for NDF 30 and NDF 60) for use with 4K/UHD video in legacy Premiere CC 2015.0 on Windows The XAVC-I codec found for example on the Sony FS7 is normally regarded as a better alternative to XAVC-L. But is this always the case? The other day I was chatting with some friends about recording options with the Sony FS7, and in particular whether anyone ever used XAVC-L. There was pretty universal agreement that XAVC-I was the way to go.

The XAVC-I codec is my personal preference and is the newer of the two codecs, recording at a higher bitrate than MPEG HD 422, resulting in higher quality pictures. The codec can accommodate HD, UHD & 4K footage along with varying frame rates including the use of S&Q mode 10-bit 4:2:2. UHD 4K @ 50-280 Mb/s. The maximum frame rate of the Sony A7sIII is available in all codecs except for XAVC S-I, which is limited to 60p in both HD and 4K. XAVC S is the standard codec we've seen in Sony mirrorless cameras going back to the original A7S. It uses H.264 compression and offers lean data rates and plays well on a.

Bitrate is a measure of the amount of data included in the video. The higher the bitrate is, the higher the quality is. The bitrate of XAVC S is about double that of AVCHD HD 60P. AVCHD captures at a higher bitrate than SD. Supporting Cameras. XAVC S: Sony Alpha a7S, FDR-AX1, DSC-RX100vIII, FDR-X1000V XAVC INTRA. XAVC-I DCI4K 59.94p mode: VBR, MAX bitrate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode: VBR, MAX bitrate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode: VBR, MAX bitrate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode: VBR, MAX bitrate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 23.98p mode: VBR, MAX. Has anyone else noticed that Adobe now include XAVC Class 480 in the codec options for exporting XAVC from Adobe Premiere via Media Encoder? In case you don't know what it is, class 480 is the 480Mb/s version of 4K XAVC This time, I gotta send an encode (from a 4K UHD ProRes master file) in XAVC Intra Class 300. They just told me XAVC Intra Class 300, 3840 x 2160, 4:2:2, 500 Mbit/s CBR and 50fps. I have been searching on google over and over and it seems that the XAVC Intra Class 300 is: Format XAVC intra (Class 300) Level/Profile High 4:2:2 Profile @ Level.

Understanding XAVC, XAVC-L, XAVC-I and XAVC-

XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 59. SDXC Memory Card* - https://amzn.to/2UXClTg (US)https://amzn.to/2R3LzfD (UK)SDHC Memory Card* - https://amzn.to/2UQQRwkhttps://amzn.to/348oFJp (UK)What is th.. The faster a card can write, the faster it can record high bitrate footage. Here's the good news for you: Every single resolution, frame rate, and bitrate that the A7S III records for video can be recorded to an SD Card, except for one bitrate: 4K 120FPS in XAVC S-I Compression

ILME-FX6V / ILME-FX6VK Specifications Professional Video

  1. XAVC INTRA XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode:VBR, MAX bit.
  2. The FX6 can record internal DCI 4K at 60 fps in a high-bitrate 4:2:2 10-bit XAVC-I codec. Lower bitrate 4K/120p recording is available and scaling down to 1080p allows for frame rates up to 240fps. Lower bitrate 4K/120p recording is available and scaling down to 1080p allows for frame rates up to 240fps
  3. The PMW-300K1 supports XAVC 10-bit HD422 recordings, including XAVC Intra frame 10-bit HD 422 100 Mbps and XAVC Long GOP 10-bit HD 422 (low bit rate). It also records Full HD (1920 x 1080) MPEG HD 422 at 50 Mbps in industry-standard MXF files, along with 24-bit 48 kHz, 4-channel audio. It is also capable of recording MPEG-2 HD 420 in Full HD.
  4. XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.26
  5. XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/
  6. Camera: Sony Alpha 6000To capture videos in 60fps instead of 50fps you have to switch from PAL to NTSC mode. WARNING, this requires formatting the memory ca..
  7. The magic of the XAVC codec, especially XAVC-L, is the ability to capture stunning 10-bit, 4:2:2 Full HD content at a budget-friendly 50, 35 or even 25 megabits per second. So you can record hour after hour of content on a single memory card! The Sony PMW-PZ1 player accommodates SxS® cards and external USB 3.0 storage

Banding is STILL an issue with XAVC-I (Sony FS7 10

XAVC-I 4K is a Level 4.2, 4:2:0, 10-bit, 2k or 4k codec that supports frame rates up to 60p at up to 960mbps. In other words, despite the similarity of names (XAVC-S, XAVC-I), and both being in an MXF container, the video files are radically different. Patchrik you haven't provided any information about the types of files you may be trying to load HEVC offers roughly twice the image quality of H.264 at the same bit rate, or the same quality at half the bit rate. One of the most well known is Sony's XAVC and XAVC-S. Sony XAVC is a very efficient compressed video formats, enabling high quality video encoding in low to intermediate bit-rates and small file sizes H.265. This H.265/HEVC codec is said to double the data compression ratio compared to H.264/MPEG-1 AVC at the same level of video quality. It can almost support 8K UHD (8192x4320), which laid a solid foundation for the coming 4K Time. Higher video quality while smaller size is an outstanding feature of this codec, for example a 137 MB video. Pilihan XAVC, AVCHD, dan MP4 di File Format akan memberikan pilihan bit-rate yang berbeda pula di Record Setting-nya. Kalau di bit-rate setting kamu melihat 24p 50M, itu artinya frame-rate=24 fps dan bit-rate=50 Mbps. Coba kita bandingkan XAVC HD dan MP4 di resolusi dan frame rate yang sama: 1920 x 1080, 25 fps Shooting Formats 4K 4096 x 2160 12-bit RAW UHD 3840 x 2160 10-bit 4:2:2 XAVC-I 8-bit 4:2:0 XAVC-L 2K 2048 x 1080 12-bit Raw HD 1920 x 1080 10-bit 4:2:2 XAVC-I 10-bit 4:2:2 XAVC-L MPEG2 4:2:2 HD 1280 x 720 MPEG2 4:2:2 Recording Formats XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300.

Tutorial - Creating Psuedo XAVC-I 4K intermediate files in

Figure out what camera and codec you are shooting in. Look up that codec on google and add bitrate to the search: XAVC-I Bitrate or ProRes 4k HQ Bitrate. If you cant find a bit/second try searching for data rate. IE Blackmagic 4k Raw data rate. Note if the number you get uses a lower case b or upper case B. Uppercase B=byte, lower case b=Bit Yes, Sony XAVC S bit rate is about 3x that of AVCHD depending. You could use Handbrake to knock the file sizes down, but that'll take time too. Reply Reply with quote Reply to thread Complain. OP lancer1991 • Junior Member • Posts: 46 Re: XAVC S HD file sizes vs AVCHD - YouTube uploading.

Recording Formats: XAVC INTRA XAVC-I DCI4K 23.98p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I DCI4K 24p mode: VBR, MAX bitrate 240 Mbps, MPEG-4 AVC/H.26 IMPORTANT: This article applies only to specific products and/or operating systems. Check Applicable Products and Categories for details.. You can record in the following formats. XAVC-I (4:2:2 10bit). XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.26 XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/sXAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/ XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/

XAVC INTRA XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode: VBR, MAX. The 4K XAVC-I bitrate (from a Sony brochure on the FS7) is supposed to be 240 Mb/s for 24p (23.98p) and 250 Mb/s for 25p. This is, I believe, a 10-bit codec. So 10 bits to a byte. This means 24 MB/s for 24p and 25 MB/s for 25p. (If I've screwed up with the maths or my assumptions concerning this, feel free to jump in.) This is less than a third. Locking Sony E-Mount. Integrated Electronic Variable ND Filter. DCI 4K (4096 x 2160) up to 59.94p. UHD up to 59.94 fps, HD up to 180 fps. XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s. Supports Rec. 709 and BT-2020. Dual XQD Memory Card Slots. Dual HD/3G-SDI & HDMI Output. Ergonomic Handgrip with Camera Controls XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 : XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 : XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 : XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 : XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4.

23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/s 29.97p VBR, maximum bit rate 111 Mb/s 23.98p VBR, maximum bit rate 89 Mb/s 25p VBR, maximum bit rate 112 Mb/ XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AV

Sony PXW-FS7M2 (PX-WFS-7M2, PXWFS7M2, PXW/FS7M2, pxw-fs7m2) Mark II 4K XDCAM Super 35mm CamcorderExpanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as Cinéma Vérité-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized. 16-bit Linear minimum or 10-bit Log processing. At least 240 Mbps Bitrate (at 23.98/24 fps) recording. You must set the recording format to either RAW (uncompressed or lightly compressed sensor data) or COMPRESSED (Log Gamma - i.e. S-Log3, V-Log, CanonLog3, REDLogFilm, BMDLog, LogC, etc.) Sony FX6 is part of the new Sony Cinema Line and approved by Netflix. The camera is capable of recording 4K at 120P in 10bit 4:2:2 on board. Full-Frame, 15 Stops of Dynamic Range, High Sensitivity, Sony's S-Cinetone and Slog3 make the FX6 an easy decision for filmmakers

Download Alt MP3 Bitrate Converter 73 Online Audio Bitrate Calculator Free Websites

• XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s • XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate. BTW, with the 2.1 firmware, even the bitrate disadvantage is not existing anymore as the GH5 is now capable of all-I, 400 Mbps bandwidth of its H.264's flavor (so higher than the FS7's 240 Mbps of its XAVC-I, if we stick with apples-to-apples) XAVC-I mode:DCI4K 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 25P CBG, bit. 6K Full-Frame Exmor R CMOS Sensor 15 Stops of Dynamic Range, Dynamic HDR DCI 4K and UHD 4K up to 59.94p HD Recording up to 150/180 fps Sony E-Mount 10-Bit 4:2:2 XAVC-I up to 600 Mb/s Auto-HD, AF, 7-Stop ND Filter, 3D LUTs Dual Base ISO up to 102,400, HL Sony PXW-FS7. The PXW-FS7 offers continuous recording in Full HD image quality and a Slow Motion frame rate of up to 180 fps. The PXW-FS7 supports internal recording at 4K resolution as well as a wide range of frame rates 59.94P, 50P, 29.97P, 25P and 23.98P), and provides outstanding sensitivity of ISO2000 and the dynamic range of 14-stops

XAVC-I - Do You Really Need All That Extra Data? Cine

  1. XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 50P VBR, maximum bit rate 185Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 59.94i VBR, maximum bit rate 111Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 50i VBR, maximum bit rate 112Mbps, MPEG-4 H.264/AVC XAVC-I mode.
  2. 119.88p. 320-409,600. Sony a7S III. 3840 x 2160 (4264 x 2408 in RAW) 119.88p. 80-102,400. * Maximum fps at 4K is 120 fps for both cameras. Sony is the current low light champion of the world. With the Sony FX6 ( Amazon , B&H) and its dual base ISO (one at ISO 800 and the other at ISO 12800) you can rest assured low light won't be a problem
  3. When capturing higher bit­rate formats such as XAVC-I 4K, low bit-rate HD proxy files can be recorded simultaneously. These smaller proxy files can then be used for editing and previewing prior to final production delivery which reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L.
  4. Hunt's Photo & Video is New England's Imaging Equipment Leader. Call our Knowledgeable and friendly staff today to get help with all of your photo & filmmaking needs
  5. ated full-frame Exmor R CMOS sensor, BIONZ XR image-processing engine, and amazing AF (autofocus) performance. It is also compatible with the wide.
  6. 25P CBG, bit rate 250 Mb/s. XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/s 29.97p VBR, maximum bit rate 111 Mb/s 23.98p VBR, maximum bit rate 89 Mb/s 25p VBR, maximum bit rate 112 Mb/s. XAVC-L QFHD MPEG-4 H.264/AV
Top 10 Free Audio Converter Software

Video: A guide to Codecs, Gamma and Gamuts for the Sony FS7

An In-Depth Look at the Sony A7S III Data Rates 4K Shooter

  1. XAVC INTRA: XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264,.
  2. XAVC-I HD 50p mode: CBG, MAX bitrate 223 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 29.97p mode: CBG, MAX bitrate 111 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 25p mode: CBG, MAX bitrate 112 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 23.98p mode: CBG, MAX bitrate 89 Mbps, MPEG-4 AVC/H.264 XAVC LONG XAVC-L QFHD 29.97p/25p/23.98p mode: VBR, MAX bitrate 100 Mbps, MPEG-4 H.264.
  3. XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 MBps, MPEG-4 AVC/H.264. XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 MBps, MPEG-4 AVC/H.264. XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 MBps, MPEG-4 AVC/H.264. XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 MBps, MPEG-4 AVC/H.264. XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 MBps, MPEG-4 AVC/H.264.
  4. When shooting movies, low-bitrate HD proxy files can be recorded simultaneously with higher-bitrate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows
  5. Dimensions (W x H x D) 178.4 202.0 426.3 mm (With the accessories (lens hood, eyecup), excluding the grip belt and including the projecting parts) 7 1/8 x 8 x 16 7/8 inches (With the accessories (lens hood, eyecup), excluding the grip belt and including the projecting parts) Power Requirements. DC In: 12V, Battery: 14.4 V. Power Consumption

ID : 2 Format : AVC Format/Info : Advanced Video Codec Format profile : High 4:2:2@L4.2 Format settings : CABAC / 2 Ref Frames Format settings, CABAC : Yes Format settings, Reference frames : 2 frames Format settings, GOP : M=3, N=12 Format settings, wrapping mode : Frame Codec ID : 0D01030102106001-0401020201316001 Duration : 22 s 560 ms Bit rate mode : Variable Bit rate : 52.5 Mb/s Maximum. XAVC-I is the best choice for working with S-Log2/3. XAVC-L: HD/UHD XAVC-L is a long GOP codec offering similar image quality to XAVC-I but with a smaller file size. In HD it is 10bit 422. In UHD it is 8bit 422 (not recommended for S-Log2/3). In HD there 3 bit rate choices of 50, 35 and 25Mbps. 50Mbps offers image quality comparable to XAVC-I

Sony XAVC S VS AVCHD: What are the Differences

XAVC and XAVC S are video compression formats introduced by Sony and registered trademarks that are based on the H.264 / MPEG-4 AVC standard . The formats were introduced in October 2012 and are licensed to other companies by Sony. As a recording format, XAVC has so far only been used by Sony cameras (as of Nov. 2015), but many manufacturers support the format in the processing chain XAVC-I mode: 4K 23.98P VBR, bit rate 240Mbps, MPEG-4 H.264/AVC. XAVC-I mode: 4K 25P VBR, bit rate 250Mbps, MPEG-4 H.264/AVC. Recording Format (Video) XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC. XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC. XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC. XAVC. Best file format is XAVC-I (up to 60p) and XAVC-L (up to 120p). You get 10-bit 4:2:2 internally in all modes. Dynamic range is claimed to be 15+ stops in S-Log3 (S-Gamut3, and S-Gamut3.Cine). 16-bit RAW output is available in both 4K DCI and UHD up to 60p, via SDI. Proxy files can be written in 8-bit 4:2:0 XAVC-L 1080p at 8Mbps

ILME-FX6VK Specifications Sony US

  1. Video Space Calculator This tool is intended to give an indication of the amount of space a given video format will take up on disk. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown
  2. The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. High Frame Rate Selections
  3. XAVC-I DCI4K 59.94p mode: VBR, MAX bitrate 600 Mbps, MPEG-4 AVC/H.264; XAVC-I HD 23.98p mode: CBG, MAX bitrate 89 Mbps, MPEG-4 AVC/H.264; XAVC-I HD 25p mode: CBG, MAX bitrate 112 Mbps, MPEG-4 AVC/H.264; XAVC-I HD 29.97p mode: CBG, MAX bitrate 111 Mbps, MPEG-4 AVC/H.264; XAVC-I HD 50p mode: CBG, MAX bitrate 223 Mbps, MPEG-4 AVC/H.264; XAVC-I HD.
  4. imizes camera shake. The Zeiss lens captures vivid images in the entire optical zoom range of.
  5. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording
  6. XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 MBps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 MBps, MPEG-4 AVC/H.264 XAVC.

XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR,. 3. Start video conversion. Click Convert button to start converting XAVC to H.264 or MPEG-2 codec for Premiere Pro on Windows 10. When the conversion is done. Click Open button to get the exported files. Now, you can import converted video into Premiere Pro easily, and edit XAVC in Premiere Pro CC, CS6, CS5, etc., without any problem

XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264. PXW-FS7 Approx 2.0 kg (body only) Approx. 4.5 kg (with Viewfinder,Eyepiece,Grip Remote Control, BP-U30 battery,SELP28135G LENS, an XQD memory card) 156 x 239 x 247 mm (body without protrusions) DC. 2) Higher bitrate and higher frame rates will require media cards with faster read/write speeds. Please see product support page or manual for more information. 3) 12.1 megapixel total. 4) For S-Log3. Sony test. 5) when shooting in S-Log3. 6) when shooting in SDR/HDR mode. 7) 10% image crop. 8) Maximum AF points and area coverage XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 MBps, MPEG-4 AVC/H.26 XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC: Recording Format (Video) XAVC-I mode:QFHD 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC XAVC-I mode:HD 59.94P VBR, maximum bit rate 222Mbps, MPEG-4 H.264/AVC.

The PMW-300K2 supports XAVC 10-bit HD422 recordings, including XAVC Intra frame 10-bit HD 422 100 Mbps and XAVC Long GOP 10-bit HD 422 (low bit rate). It also records Full HD (1920 x 1080) MPEG HD 422 at 50 Mbps in industry-standard MXF files, along with 24-bit 48 kHz, 4-channel audio XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD. XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 MBps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 MBps, MPEG-4 AVC/H.264 XAVC-I HD 50p mode: CBG, MAX bit rate 223 MBps, MPEG-4 AVC/H.264 XAVC-I. As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality

XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264. 25P CBG, bit rate 250 Mb/s XAVC-I HD MPEG-4 H.264/AVC 59.94P VBR, maximum bit rate 222 Mb/s 50P VBR, maximum bit rate 185 Mb/s 59.94i VBR, maximum bit rate 111 Mb/s 50i VBR, maximum bit rate 112 Mb/s 29.97p VBR, maximum bit rate 111 Mb/s 23.98p VBR, maximum bit rate 89 Mb/s 25p VBR, maximum bit rate 112 Mb/s XAVC-L QFHD MPEG-4 H.264/AV

Sony PXW-FS7M2 XDCAM Super 35 Camera System. FS7 II dramatically improves the experience of shooting with Sony's ultimate documentary camcorder and simply one of the world's most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto Variable ND system and enhanced ergonomics. The bitrates vary depending on the Rec framerate (your playback framerate). 24p output is the highest bitrate when shooting 4k120p in S&Q as its slowed 5x, 60p is only slowed 2x so the bitrate is lower. Same for HD, 240fps has the max bitrate when the Rec Framerate is 24p since its slowed 10x. Hope that makes sense. Cheers. Chri XAVC-I HD mode: MPEG-4 AVC/H.264, CBG, Max.222 Mbps XAVC Long XAVC-L QFHD mode: VBR, maximum bit rate 150Mbps, MPEG-4 H.264/AVC XAVC-L HD 50 mode: VBR, maximum bit rate 50Mbps, MPEG-4 H.264/AVC AVC-L HD 35 mode: VBR, maximum bit rate 35Mbps, MPEG-4 H.264/AVC XAVC-L HD 25 mode XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG- 4 AVC/H.264 XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG- 4 AVC/H.264 XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG- 4 AVC/H.264 XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG- 4 AVC/H.264 XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG- 4 AVC.

FS7 II dramatically improves the experience of shooting with Sony's ultimate documentary camcorder and is simply one of the world's most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto In addition to the previous XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the next-generation XAVC-L422 QFHD 200 codec. According to Sony, compressing 4K HD images with the LongGOP frame structure enables significant bitrate savings compared to previous intraframe codecs while maintaining excellent 4K image. XAVC-I QFHD 59.94p mode: VBR, MAX bit rate 600 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 MBps, MPEG-4 AVC/H.264 XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 MBps, MPEG-4 AVC/H.264. XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 MBps, MPEG-4 AVC/H.264 XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 MBps, MPEG-4 AVC/H.264 XAVC-I HD 50p mode: CBG, MAX bit rate 223 MBps, MPEG-4 AVC/H.264 XAVC-I HD 59.94i/29.97p mode: CBG, MAX bit rate 111 MBps, MPEG-4 AVC/H.264 XAVC-I HD 50i/25p mode: CBG, MAX bit rate 112MBps, MPEG-4 AVC/H.264.

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